Sunday, June 18, 2006
Here we see a typical animal painter at work, getting deep within his sub conscious and exploring themes of elephantine proportions. His lyrical waxing and waning technique is uttermost and the spiral dimentions and paramount in all aspects of his pre-medical efforts on transposing his subject in a context that plays havoc with the notions of transmogrification and elementary subtefuge. The artist holds up a red card and dismisses the idea of natural portions to the players on the artistic pitch of confusion. I can see the art critic tangled in the undergrowth of his own verbal incongruities. The jumboness is almost contorted with feelings of moist flannelations.